Showing 753–768 of 862 results
First The Radio Dept. album in 6 years! The group’s second album, Pet Grief or 2010’s Clinging to a Scheme are musts for fans of the dreamy alternative sound (TRD is like the smoother, Swedish version of Stone Roses My Bloody Valentine Cocteau Twins), and the band’s 4th LP does not disappoint. Effervescent and breezy, synths…
Third studio album from Minneapolis The Replacements. Let It Be was originally recorded between August 1983 and February 1984, and was a move away from the hardcore punk sound of their previous albums. The band had grown tired of the fast and noisy songs and began to incorporate more melody. Vocalist Paul Westerberg wrote songs…
Fifth studio album from Minneapolis The Replacements. Pleased To Meet Me was originally recorded in 1987 and featured a diverse mix of songs that was fed by frontman Paul Westerberg s freedom to experiment. For it s perceived lack of cohesion, Westerberg delivers some great tunes in the shape of I.O.U., Never Mind, and Valentine….
Fourth studio album from Minneapolis The Replacements. Tim was originally recorded in 1985 and was the band s first major label release. Released by Sire Records, the album was the last to feature the original lineup of the band. Frontman Paul Westerberg steered the band towards less rocking material with ballads like Here Comes a…
The vinyl return of The Return Of The Living Dead soundtrack! Originally released in 1985, the soundtrack set the punk rock tone for the quasi-sequel to Night Of The Living Dead. Not only was it the first film to feature brain-eating zombies, it also set the bar high (or low?) for horror humor with its unique brand of splatstick antics….
Third studio album from Dallas-Fort Worth singer songwriter Bryce Avary. The Rocket Summer began as a solo project for Avary that found him writing and producing songs entirely on his own, in addition to playing all instruments on the recordings. Avary carried this DIY ethos into the recording of Do You Feel, his major label debut, playing…
The song that made The Rolling Stones! Without Satisfaction the now legendary English rock band would have been just another band. The song, with its allusions to sexual frustration and anti-commercialism, took the Stones to the top of the charts in the US for the first time. The decidedly anti-establishment message provoked some controversy but…
180g green vinyl UK Edition of The Rolling Stones 1966 legendary LP, which contains four #1 singles. Original ‘fisheye’ artwork restored for this edition, including a 12×12 full-color photo insert. Pressed on 180g Green vinyl, limited edition to North America manufactured locally in the USA. music label: ABKCO 2019 sign up for Stock Email above…
We ve come to have a good time, says Mick Jagger before going into Respectable. From The Vault – No Security – San Jose 1999 indeed is a good time, an electrifying, up-and-close recording of the closing date of the British gods 1999 American tour. Mick Jagger, Keith Richards, Ronnie Wood, and Charlie Watts, joined…
The Rolling Stones 1969 classic, now on clear vinyl! Let It Bleed marks the Stones return to American roots music, expanding what was started with 68 s Beggars Banquet and moving far past the psychedelic pop of Their Satanic Majesties Request. Here Jagger, Richards & Co. draw heavy influence from gospel, blues, and country to create some of the…
Saturday Club, The Joe Loss Pop Show, and Blues In Rhythm are some of the BBC shows that The Rolling Stones appeared on in the early 60s. On Air collects 18 recordings sourced from the performances, and the LP is a unique look into the formative days of the iconic band that was at the…
180g orange vinyl edition of 7000 50th Anniversary UK Edition of The Rolling Stones 1969 LP (known as Big Hits Volume 2) contains four top 10 hits and two #1 singles. Housed in restored Octagon jacket, with die-cut back sleeve showcasing color-coded Stereo inner sleeve. limited edition to North America manufactured locally in the USA…
Debut studio album from Chicago s The Sea And Cake. The band s eponymous debut was originally released in 1994 and expanded on frontman Sam Prekop s work in the great, but short lived Shrimp Boat. Named after a misinterpretation of Gastr del Sol s The C in Cake, the band fused pop, soul, and…
The sound of Clement Dodd’s Studio One and Duke Reid’s Treasure Isle resonated strongly in a country full of first-generation British-born Jamaicans in Margaret Thatcher’s economically-stagnant England, yielding second-wave ska flag-bearers The Specials and a legion of similar bands in their wake, including Madness, The Beat and The Bodysnatchers. The Selecter, however, hold the distinction…
Shannon Wise & Max Shrager are The Shacks, and the young NYC duo presents a luring self-titled EP. Wise s charmingly whispery vocals gently sit on top of Shrager s stripped down, riff-riddled production (w Leon Michels s help on Orchids ), and the 7-tracker certainly shows the young band s unexpected fondness (Wise is…
Debut studio album from Leeds The Sisters of Mercy. First and Last and Always was originally recorded in 1984 after the band signed a contract with WEA Records. The album featured the band s the classic line up of frontman Andrew Eldritch, Gary Marx and Wayne Hussey on guitars, Craig Adams on bass and Doktor…
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